antigua – sun, fun and… pirates?

Probably only catching up on things as its been quite busy and alas this blog is unfortunately low on the list of priorities… Anyway, I was stunned to read in Variety that

The government of Antigua is likely to abrogate intellectual property treaties with the U.S. by the end of March and authorize wholesale copying of American movies, music and other “soft targets” if the Bush administration fails to respond to proposals for settling a trade dispute between the two counties, according to the lawyer representing the Caribbean island nation.

The history is quite interesting. Apparently Antigua has prevailed several times at the WTO in respect of US trade practices related to offshore gambling sites which are hosted in Antigua but the US has taken no action. After roughly five years of proceedings, apparently Antigua is now looking to this course of action as a retaliatory measure. The WTO has to some extent, blessed this course of action. From the article:

The most recent victory was in December, when the WTO ruled that Antigua could exact damages by ignoring IP agreements with the U.S. should a negotiated settlement fail.

Somewhat surprising but the ruling can be found at the WTO site (note – link is to a 74 page PDF) and awards Antigua:

6.1 For the reasons set out above, the Arbitrator determines that the annual level of nullification or impairment of benefits accuing to Antigua in this case is US$21 million and that Antigua has followed the principles and procedures of Article 22.3 of the DSU in determining that it is not practicable or effective to suspend concessions or other obligations under the GATS and that the circumstances were serious enough. Accordingly, the Arbitrator determines that Antigua may request authorization from the DSB, to suspend the obligations under the TRIPS Agreement mentioned in paragraph 5.6 above, at a level not exceeding US$21 million annually.

I’m surprised this hasn’t gained more prominence, since the implications could, needless to say, be huge, particularly given other trade disputes that the US has with the EU and others (and in which it has taken a similar course of action). I did not an article that mentioned that Slysoft, the company which broke Blu-Ray’s DRM system, is based in Antigua.

Then again I have been living (or rather working) under a rock lately so may just be late to tune in to this news.

hybrid computing – bigger than i thought (possibly)

I recently mentioned Prism in a prior entry and how it was an intriguing business model. What I didn’t realize is how widespread a movement it seems to be, as suggested in this Knowledge@Wharton article. A brief blurb:

It’s been a busy few weeks for the big technology companies. On October 1, Adobe Systems announced an agreement to buy Virtual Ubiquity, a company that has created a web-based word processor built on Adobe’s next generation software development platform. One day earlier, Microsoft outlined its plans for Microsoft Office Live Workspace, a service that will combine Microsoft Office and web capabilitiesso that documents can be shared online. Recently,Google introduced a technology called “Gears” that allows developers to create web applications that can also work offline. The common thread between the recent moves of these technology titans: Each company is placing a bet on a new vision of software’s future, one which combines the features of web-based applications with desktop software to create a hybrid model that may offer the best of both worlds.

Such a model seems to make a lot of sense, both from the perspective of users as well as developers. From a developer perspective, I can see how simply gaining information on how their products are used (albeit possibly involving some privacy complications) could be invaluable. In addition, tying software to a service will likely curb piracy – its one thing to bypass protection mechanisms on standalone software but something quite different to try to fake an account setup to take advantage of an online service (at least given what little I know about it).

Then again, as the article points out, this movement may simply be the latest iteration of a trend that has never quite caught on (e.g. MS Hailstorm, “thin” computing, network as the computer, etc. etc.).

Fair Use and the DMCA

An article in Wired News with the dramatic title of “Lawmakers Tout DMCA Killer” describes the most recent attempt to: (a) water down the protections afforded to content owners by the DMCA; (b) ensure the preservation of fair use rights on the part of users. As is usual, each side has its own rhetoric to describe what is happening, so in fairness I took the liberty of offering to readers of this blog the two alternative descriptions above. The nub:

The Boucher and Doolittle bill (.pdf), called the Fair Use Act of 2007, would free consumers to circumvent digital locks on media under six special circumstances.

Librarians would be allowed to bypass DRM technology to update or preserve their collections. Journalists, researchers and educators could do the same in pursuit of their work. Everyday consumers would get to “transmit work over a home or personal network” so long as movies, music and other personal media didn’t find their way on to the internet for distribution.

And then of course on the other side:

“The suggestion that fair use and technological innovation is endangered is ignoring reality,” said MPAA spokeswoman Gayle Osterberg. “This is addressing a problem that doesn’t exist.”

Osterberg pointed to a study the U.S. Copyright Office conducts every three years to determine whether fair use is being adversely affected. “The balance that Congress built into the DMCA is working.” The danger, Osterberg said, is in attempting to “enshrine exemptions” to copyright law.

To suggest that content owners have the right to be paid for their work is, for me, a  no-brainer. That being said, I wonder whether the DMCA and increasingly more complex and invasive DRM schemes will ultimately backfire – sure they protect the content, but they sure as heck are a pain in the ass – just my personal take on it. For example, I’d love to buy digital music, but having experienced the controls that iTunes imposes and suddenly having all my tracks disappear, I just don’t bother with it now. Not to mention the incredible hoops one needs to go through to display, say, Blu-ray on a computer – at least in its original, non-downgraded resolution – why bother with all of that at all?

I wonder whether this is, in a way, history repeating itself in a way. I am old enough to remember the early days of software protection – virtually every high-end game or application used fairly sophisticated techniques (like writing non-standard tracks on floppies in between standard tracks) in attempting to prevent piracy. Granted, these have never gone away altogether, particularly for super high end software that needs dongles and and the like, and of course recently there has been a resurgence in the levels of protection that have been layered on in Windows, but after the initial, almost universal lockdown of software long ago, there came a period where it seemed many (if not most) software developers just stopped using such measures.  At least that’s what seemed to happen. I’m not quite sure why, but I wonder if this same pattern will repeat with content rather than software. I suspect not. But hey, you never know.

In the meantime, off I go, reluctantly, in the cold, cold winter, to the nearest record shop to buy music the old fashioned way…